Going back to Ireland

Ireland, 2024 edition

In August I returned to Ireland, in part to escape the heat of southern France, and in greater part because I’ve completely fallen for the Emerald Isle. This year I traveled with my California friend Amy, with a few days at the end of the trip on my own.

Over the years, I’ve found that my preferred way to travel is to pick a place and settle in there for a while, getting to know the place, its people and its region. I don’t really like to spend my vacation time with lots of planes, trains and automobiles. This trip, however, involved some moving around, and we did see some great places.

The trip was a counter-clockwise 3/4 circle of the Republic, starting with Dublin, then driving to Ramelton, Galway, Dingle, and finally Cork.

Stained glass

After last year’s trip, when I learned about the great stained-glass artist Harry Clarke, I wanted to see more of his work. I was largely successful with my scavenger hunt, and here are a few examples of what I saw.

Harry Clarke, The Eve of Saint Agnes, 1924, Hugh Lane Gallery, Dublin. This is one of 22 panels in the full window, and shows Clarke’s unusual technique, command of color, and attention to the tiniest of details.
Harry Clarke, The Geneva Window, Mr. Gilhooley panel, 1930, Hugh Lane Gallery, Dublin. The Geneva window was commissioned by the Irish Department of Industry and Commerce in 1925 as a gift for the International Labour Office of the League of Nations in Geneva. The full window, but especially this panel, was considered too scandalous and potentially offensive to the Catholic Church, and Clarke indicated that he’d be willing to make changes. But Clarke was already deathly ill with tuberculosis, changes were never made, and the window never went to Geneva. In 1988, Clarke’s sons sold the full eight-panel window to art collector Mitchell Wolfson, and the work is now displayed at the Wolfsonian Museum, Miami Beach, Florida. Two of these panels exist; this one is the original, which had a hairline crack that Clarke repaired. The second version is with the full Geneva window in Florida.
A detail of the Mr. Gilhooley panel, showing the intricate detail, bold use of color, and acid wash technique that are all hallmarks of Clarke’s mastery of stained glass.
Harry Clarke, decorative window, 1928, Bewley’s Café, Dublin (detail). Clarke completed six windows for Bewley’s, all of them demonstrating his fascination with the natural world—including plants, butterflies, birds, and sea creatures—as well as with pattern and color.
Harry Clarke, The Baptism, 1924, Díseart Institute, Dingle (detail). The window dances and shimmers with the rich colors used in the robes, as well as intricately-detailed floral patterning.
Harry Clarke, Saint Gobnait, 1916, Honan Chapel, Cork. The Honan Chapel was built in 1916 in the Celtic Revival style that pays tribute to Celtic architecture between the 7th and 12th centuries. The chapel’s exterior is rather severe, but the interior is a testament to the depth and skill of the Irish decorative arts, including sculpture, stone carving, woodworking, mosaics, and stained glass windows.

The last windows I was able to see were made relatively early in Harry Clarke’s career, those commissioned in 1916 for the Honan Chapel on the campus of University College Cork. The chapel is lovely, and I had it all to myself for most of my visit. Unfortunately, at some point a decision was made to put purple-hued lights in all the window openings, casting a lavender glow throughout the chapel that played games with my camera. In the photo above of the Saint Gobnait window, I’ve completely removed the color from the surrounding walls, but the blue and purple tones in the stained glass itself proved difficult to repair. Unfortunately, in my photograph, the saint’s exquisite royal blue robes are a bit of a muddy mess.

Clarke produced nine windows for the chapel, most of which are Irish saints. Gobnait was a local: born in the 5th-6th century, she left her family in County Clare to live on one of the Aran islands, later relocating to Ballyvourney in County Cork. She is the patron saint of beekeepers and ironworkers, and is revered in the village of Ballyvourney. Bees appear in several places in the window, as well as people that Gobnait protected from disease and invaders that she repelled. Gobnait is Irish for Abigail.


Dublin and Donegal

Amy was traveling from California, and I was arriving from France, so the easiest place to meet was Dublin. We had an afternoon to explore a bit, and we visited the Hugh Lane Gallery and the Botanic Gardens. When the Gardens closed, we stopped in for a pint at The Gravedigger’s, a venerable pub that drew its original clientele from two particular groups: people who had visited the Gardens, and people who had visited the nearby Glasnevin Cemetery. We shared a table and lively conversation with two gents who turned out to be local schoolteachers. Every once in a while, we managed to understand each other, and despite that little issue, there was an abundance of warmth and humor, and an hour passed easily.

The next day we went to the airport to pick up our rental car, and promptly took a couple of wrong turns that set us off on a route toward Ramelton that was, shall we say, somewhat less than straight. We arrived later than we’d hoped, but our host, Des, was still in his shop and gave us a warm welcome. We got ourselves installed in the apartment upstairs, while Des made us a splendid platter of food, and then he joined us for a bit of convivial banter. It felt great to be back in Donegal, and Des and Sharon and the crew at The Blue Goat made us feel like family.

A bartender takes care of his two patrons in this delightful trompe l’oeil window in Ramelton.
A nice old tractor parked on a steep hill in Ramelton.

After a morning of exploring Ramelton, we drove up to Rathmullan and met my friend Martin for a lively visit and some sightseeing. Later, we all had a convivial dinner at The Bridge Bar in Ramelton.

A road sign in Rathmullan, just up the road from Ramelton along the shore of Lough Swilly. The next day, we had lunch in Kerrykeel.
A window in Rathmullan Abbey, built in 1516 by Eoghan Rua MacSweeney and his wife Maire in memory of their son Ruaidhri, who died in 1508.
Great Pollet Sea Arch (Irish name: Airse Mhor Pollaid).

We joined Martin for another day of exploring, first passing the morning at the Great Pollet Sea Arch. Last year I saw it at low tide, and this time we planned our visit to be there at high tide. I think at other times of year, high tide is even higher, as I’ve seen photographs with no rocks showing other than the arch. But this was perfectly lovely, and we had a beautiful day to match.

Later we went to Kerrykeel for lunch at The Narrow Quarter, and then took ourselves up to the tip of the peninsula to see the splendid Fanad Head Lighthouse.

A curious cow near Great Pollet Sea Arch.
The fresnel lens in the Fanad lighthouse.
A fine blue-sky day at Fanad Head Lighthouse.
Amy strolls along Mullachderg Beach.

I wanted to share with Amy one of my favorite days from last year’s trip, so we hopped in the car to visit the weaver Eddie Doherty in Ardara, then drove up the Glengesh Pass, and then went for a nice long stroll along Mullachderg Beach.

Up at the top of the pass, we paused to take in the view, and a nice woman offered to take our picture. We began chatting. We continued to chat. We met her children, and we met her husband. Quite a while later, we had exchanged contact details after enjoying a long and utterly delightful conversation. We said our goodbyes with promises to one day meet again, perhaps where they live in Northern Ireland. Here’s to you, Ailís and Kevin, for putting huge smiles on our faces that lasted for days!

Lynne and Amy at the top of Glengesh Pass.

Galway

This is the part where we both had colds and the weather was rainy, so we took the time to sit still, drink a lot of tea, and enjoy the lovely place where we were staying, just outside the city. Not so many photos or stories here, other than a grateful mention of Peggy McConnell, our friendly hostess. She and her partner own the small farm property where we stayed, helped us as needed, told us stories, and provided a really great place for rest and recovery.


A remarkable thatched roof on a house in Adare, County Limerick.

Dingle

We left Galway under grey skies and drove toward Dingle, with a stop in Adare for lunch and a look around the pretty town. We were both still suffering when we arrived in Dingle, but we decided to enjoy ourselves as much as possible. And Dingle is a great place to enjoy oneself!

There’s a sweet park in Adare that’s perfect for a short stroll between lunch and more driving.
A hundred thousand welcomes.
Dingle is a welcoming and picturesque town that is bursting with music, stories, and friendly people.
A little Irish vocabulary lesson, right there on a shop sign.
A nice bit of trompe l’oeil on a wall sign for Murphy’s.
Some of the whiskey choices at John Benny’s bar.
Sheet music is painted on the exterior of Neligan’s bar.
Foxy John’s is both a hardware store and a bar.
Our last night in Dingle, we enjoyed a delicious dinner, then found our way to the Courthouse Bar for music by sisters Aoife and Deirdre Granville. The place was packed, the atmosphere happy and convivial. I found myself sitting next to a large, very muscular man; we chatted about various topics until I finally couldn’t resist asking if he played rugby. He broke into a huge grin and said yes, he was in Ireland with his team, playing matches around the Republic. When he and his friends left, he gave me a sweet kiss on the cheek.
Deirdre Granville’s fingers dancing on her harp.
Aoife Granville fiddling and singing.
A pretty day and a nice cliffside walk near Murreagh.
Looking down to the busy waters swirling around razor-edge rocks.
Coastal succulents clinging to life in the cracks of seaside rocks.

One day we had a tour of the Slea Head Drive with a fantastic guide named Karen, who is also active in the local volunteer coast guard. It was a tour that included stunning ocean views, human structures dating back several thousand years, dramatic coastal paths, one great mountain pass, and plenty of story-telling.

Our tour began with a visit to see some ogham stones. Ogham is an early alphabet, in use approximately between the 4th and 9th centuries. The letters are combinations of lines running in different directions, and the only existing examples are carved on stones. Nearly all are people’s names, with some also containing references to property or locations.
A fine example of drystack stone work in a ring fort or fairy fort; this one has a passage to a chamber that is below ground level. These forts were built from the Bronze Age until around 1000 AD, and their function probably did not involve war, as the word “fort” suggests. The current thought is that families built their homes inside the circular walls, which also contained spaces for livestock. The “fort” aspect was probably to protect the animals from being stolen.
A nice bit of interior design in a drystack wall.
Heather on a ringfort wall, with the Atlantic Ocean providing a fine background.
High tide at Coumeenoole Beach.
Nice waves and craggy rocks at Coumeenoole Beach. In the upper right corner, you can just see the twin-peaked bit of island named Skellig Michael.
A view of some of the Blasket Islands, plus Sleeping Giant (upper right), seen from the vertiginous and dramatic cliff path at Dunquin Pier (Cé Dhún Chaoin in Irish).
The magnificent and perfect Gallarus Oratory, a tiny chapel built of drystack stone. The exact date of construction is unknown, with the most reliable estimates ranging from the 7th century to the 12th. Thus the youngest this building would be is 800 years, still standing in its original form, and never restored. A legend holds that anyone who leaves the building via the lone window (seen through the doorway) will have his or her soul cleansed and guaranteed entry to heaven. The window measures 18cm x 12 cm (7″ x 4.5″), so good luck with that.
Our tour ended with a quick sprint to the top of beautiful Conor Pass.

Kindred Spirits, Midleton, County Cork, sculpture by Alex Pentek.

Cork

We drove from Dingle toward Cork, and before I dropped Amy at the Ballymaloe Cookery School, we stopped at the stainless steel memorial sculpture named “Kindred Spirits,” which I’d wanted to see since last year, when my friend Connie told me the story of the Doo Lough Tragedy in County Mayo. (Go here to read my story; scroll down to the section titled “Westport, Day 2.”)

During what came to be called the Irish Famine, aid poured in from around the world, but perhaps the most moving was the money raised by the Choctaw People, who themselves had only 16 years earlier survived a death march from their homes in Mississippi and Alabama to unknown territory in Oklahoma. Destitute and in poor health themselves, these people nevertheless recognized other people in need, and scraped together a donation of $170 to send to Ireland, the equivalent of many thousands of dollars today. This act of human kindness and generosity has never been forgotten, fostering a deep connection between the Irish and the Choctaw peoples that continues to thrive today. I wanted to see the sculpture that memorializes this remarkable moment of humanity.

“How can men feel themselves honored by the humiliation of their fellow beings?”
—Mahatma Gandhi

The sculpture is about 6 meters tall (20 feet) and each of the nine feathers is unique. The feathers are curved and positioned in a bowl shape to represent a gift of food.

Amy and I enjoyed a delicious lunch at Ballymaloe, and then we said our goodbyes: I had planned a few days in County Cork, and Amy would soon be continuing her travels in Italy.

The bridge at Mizen Head.

Last year I had visited Malin Head, the northernmost point on mainland Ireland. (Click here for my story; scroll down to the section titled “A day trip further north.”) This year, and just because I was so near, I decided to balance things out with a trip to see the southernmost point of Ireland, Mizen Head.

I later learned that nearby Brow Head is further south by a few meters. Should I go there, just to be accurate with my story? It matters not, because Mizen Head is a spectacular place to spend a little time.

That bridge is a nifty bit of construction, and walking across it is a glorious wind-buffeted experience to thrill the heart. This is the view of the Atlantic Ocean to the south, from the midpoint of the bridge.
This is the view to the north from the midpoint of the bridge, a jarring scene that juxtaposes exquisite turquoise water at the foot of unimaginably rough and jagged rock.
Standing—or rather, leaning into the wind—above the dramatic tip of Mizen Head.

I took a day to visit the city of Cork, with the intention of seeing some Harry Clarke stained glass. I first headed to the campus of University College Cork (UCC) and the Honan Chapel, where I found a wedding taking place. So I turned a different direction and walked over to the Cork Public Museum for a bit of local history, seeing some wonderful examples of ogham stones and Iron Age carved stones, a few sheela-na-gig figures, a nice timeline of the history of human settlement in Cork, and finally, a space devoted to the people known as Travelers.

A longer walk took me to the Crawford Art Gallery in the center of Cork, where I hoped to see some early Harry Clarke stained glass, but I learned that the display had just been boxed up because there’s a multi-year project of refurbishing that space. Dang! I decided to peek into the tiny gift shop for something about Clarke’s work. While browsing some books on stained glass, a woman approached me and asked if I needed particular information. I turned to her and, as so often happens in Ireland, ended up in a nice long conversation with her and her companion, who turned out to be Michael Waldron, the curator in charge of the museum’s stained glass collection. It was delightful, and I left with some ideas for other places to visit for a look at stained glass.

After stopping for lunch, I walked back to the UCC campus and had a good visit to the Honan Chapel, which I had all to myself for a while. The Celtic Revival architecture and a rich display of Irish crafts combine in this charming chapel.

There are some beautiful floor mosaics in Honan Chapel in Cork, comprising the signs of the zodiac and symbols of astronomy, an abundance of plant and animal life, including mythological creatures, and a central aisle that depicts the River of Life.
A wrought-iron railing in a grassy patch of the UCC campus.
The fascinating way that birch bark peels.
A quiet scene on the UCC campus.

I set out one day to take a drive recommended by my friend Jim: a tour of the Beara Peninsula to include town and country, seaside cliffs and another of Ireland’s thrilling mountain passes. Unfortunately, partway through the drive, I began to feel unwell and it seemed best to return to my lodging to get some rest. I will return, though, because what I saw was stunning.

The very bendy Healy Pass on the Beara Peninsula winds its way through some beautiful terrain.
A fleeting moment near the top of Healy Pass: the sun briefly broke through dark clouds to light up some rocks in such a way that they look like the ruins of a castle. A snap of the fingers, and the dramatic light was gone.
The view from the top: looking down at Glanmore Lake at the base of Healy Pass.
A flash of color at the side of the road.
I had pulled off the road to walk around a little, and found this delightful tree. I’m pretty sure that fairies live there.

Of rocks and beaches

Ireland has gorgeous beaches, and many of them are tucked into dramatic places with rough cliffs and fascinating rock formations. I made photographic studies at two locations: Great Pollet Sea Arch (color photographs) and Mullachderg Beach (black-and-white photographs).

Great Pollet Sea Arch
Mullachderg Beach

Parting shot

One last photo to bring a smile to your face.

Seen in Dublin


6 thoughts on “Going back to Ireland”

  1. Absolutely lovely. Thank for the smile on my face after revisiting Ireland through your eyes. Whether I make it again physically or not, this was a sweet way to see more and feel their energy through your eyes and words. And as the man I met the second day I was in Ireland says, “And I wish you every happiness”.

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    1. Bonjour Bobbie,

      Thanks for stopping by, and for saying such lovely things. I’m glad you enjoyed your vicarious travels! And that Irishman’s wish is so perfectly wonderful that I might start using it myself. 😘

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  2. Dear Lynne, As always, your images and writings are captivating! I had lunch with Shirley Epstein a few weeks ago (Judy’s sister-in-law) . She just turned 95! We were talking about you and I sent her your blog but have since found out that, although she has an email address, she cannot read anything (macular degeneration). Anyway, David is moving to Boulder. Shelly continues t bemoan her fate and Robert is happy and well. Take care and continue to share your wonderful work. Barbara Carpenter

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    1. Dearest Barbara,

      What a treat to hear from you! Thank you for your generous compliment, and also for the newsy catch-up on things in Denver. What’s YOUR photographic world like these days? Anything I can see online? Be well.

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  3. I always enjoy reading about your travels & your pictures bring your words alive. How nice you could spend time w a friend, even when you were both under the weather.

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    1. Hello Cathy,

      You always brighten my day when you stop by to say hello, and I thank you for your kind words. It makes me happy to know that people like to journey right alongside me. ☘️

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